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Tank Girl

Tank Girl

Tank Girl is an Australian outlaw who lives in a large tank. She has an appetite for destruction that's almost as big as her... bombs.

Name:
Tank Girl
Publisher:
Real name:
Rebecca Buck
Aliases:
  • Rebecca Buck
  • Julie
Birth date:
None
Gender:
Female
Powers:
  • Adaptive
  • Agility
  • Blast Power
  • Escape Artist
  • Gadgets
  • Intellect
  • Leadership
  • Marksmanship
  • Stealth
  • Unarmed Combat
  • Weapon Master
First issue:
Deadline (1988) #1
cover

Origin

No Caption Provided

Tank Girl originally worked as a tank operator and soldier for an ambiguous organization. When the organization gives Tank Girl the task of delivering a colostomy pouching system to a president with bowel problems, her tank gets appropriated and she is unable to make the delivery on time.

After this she leaves the organization, and becomes a modern day bushranger, living in her tank and using it to her advantage while finding herself in a number of surreal adventures. She did her best to save the world during the 2000 apocalypse, but was more concerned with killing the ones responsible.

Creation

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Tank Girl was created by the writer Alan Martin and the artist Jamie Hewlett, and she first appeared in Deadline Magazine #1, beginning in September 1988.

Weapons and Equipment

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Her preferred weapon is her tank, even in close quarter combat, but also keeps a revolver handy.

Other Media

Lori Petty as Tank Girl
Lori Petty as Tank Girl

In 1995, United Artists released the film version of Tank Girl, starring Lori Petty in the lead role. It was a financial and critical flop, earning $4 million at the box office, with a $25 million budget.

Alan Martin and Jamie Hewlett have since spoken negatively of their experiences creating the film, calling it "a bit of a sore point" for them. "The script was lousy," Hewlett recalled, "me and Alan kept rewriting it and putting Grange Hill jokes and Benny Hill jokes in, and they obviously weren't getting it. They forgot to film about ten major scenes so we had to animate them ... it was a horrible experience." Talalay complained that the studio interfered significantly in the story, screenplay, and feel of the film. She said that she had been "in sync" and on good terms with Martin and Hewlett until the studio made significant cuts to the film, which she had no control over.

Issues

January 1991

May 1991

June 1991

July 1991

August 1991

October 1991

November 1991

June 1993

July 1993

August 1993

September 1993

June 1995

July 1995

August 1995

October 1995

November 1995

December 1995

January 1996

February 1996

May 2007

June 2007

July 2007

August 2007

May 2008

June 2008

July 2008

September 2008

December 2009

March 2010

April 2010

Volumes

1991

1993

1995

2007

2008

2009

2010

Authors

Friends